13 Filipino Artists You Need to Listen and Re-Listen to

Filipino music is very much alive today. It is here to stay. It ain’t going anywhere. And just like any other type of music and/or culture, it evolves. It matures. It expands. It diversifies. It reflects the phases of growth and progression that the Filipino culture undergoes, as well as the vagaries and proclivities of Filipinos’ creative minds.

OPM (Original Pilipino Music) or now also coined “Pinoy Pop” has come a long, vigorous way. And our Filipino artists are better and braver than ever. They are the unwavering stalwarts of our creative heritage. They define OPM. They fuel OPM. They take it to different heights. And now, they continue to bring forth immensely significant contributions for this generation and the next generations of artists and music lovers.

So here’s a short list of Filipino artists that I believe deserve our listening ears, and whose musical works are undisputed  and world-class. Make sure that you listen to them to know and understand why they’re top-notch.

1) KYLA

screen-shot-2016-11-30-at-10-54-38-pmShe is dubbed as the Philippines’ Queen of R&B. And she absolutely lives by this title. Kyla is an artist of high reputation whose voice, I believe, does not sound like any other! She has everything a vocalist would ever dream of: (1) a wide pitch range, (2) a sweet, breathy and velvety vocal tone (for her low to mid register), which can switch up to a lusty and dynamic timbre (for her high register); (3) perfect pitch—her runs are always on point and constantly carries a high degree of complexity; lastly, (4) improvisation skills—she can turn any song into her own either by embellishing or refashioning a simple melodic line into something quite interesting. Just listen to her tasteful rendition of a Filipino favourite, “On the Wings of Love” that basically put her back on the charts.

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2) YENG CONSTANTINO

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Dubbed formerly as the Pop Rock Princess, and now Pop Rock Superstar, the multi-awarded Yeng Constantino has absolutely blown audiences away in different parts of the world in the last ten years with her stylistic prowess, undeniable talent and distinctive artistry. Yeng’s remarkable contribution to the OPM domain as a singer and songwriter has been incredibly significant and can never be discounted in history. She is a strong and living force in the industry. Her music has set a whole new standard for the Pop Rock genre, producing smashing hits like “Jeepney Love Story”, “Salamat“, “Lapit“, “Ikaw“, and the all time favourite, “Hawak Kamay“. Recently, a musical was successfully written and staged featuring a range of her most notable hits.

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3) JASON DY

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Known primarily for being a winner of the Filipino edition of The Voice, Jason is another R&B whizz whose musicality combines a very contemporary mode of singing (from the enunciation to his musical trajectory), and an ardent, soulful delivery. His runs are always daring and gutsy. He is in significant ways a trendsetter because of his flexibility in singing a range of different styles such as ballads, funky tunes, and even dance hits, without sacrificing his vocal identity. That defines a modern artist in a way—flexibility, agility, innovation and responsiveness to change. See how he infused an R&B flare onto this original ballad piece.

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4) MORISSETTE AMON

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This woman is a musical firecracker and an extraordinary performer. Morissette is one of the few Filipino singers (if not, the only one) who use the whistle register very effortlessly on a regular basis. In terms of abilities and artistic achievements, she has accomplished exceedingly much at a very young age.  Her technique is strong and sturdy that allows her to become flexible in using all her singing registers. And her high notes—all smooth and easy. She’s known to also ‘break’ her voice on purpose, which is a technique popularised by Mariah Carey during her prime years. Listen to one of her original hits that embody the novelty and colour of her vocal style.

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5) KZ TANDINGAN

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The “Soul Supreme”. KZ just keeps getting better. Everything about her is still evolving—her style, her sound, her looks, her intensity. She has only been around for a few years but her impact in the industry and with her audience is expanding incrementally with great force. She defines soul and passion. She has already contributed important and monumental songs for her generation like the award-winning “Mahal Ko O Mahal Ako“, “Scared to Death”, and her superb rendition of “Wag Ka Nang Umiyak” by Ebe Dancel. She knows how to reshape a song and give it a brand new fashion. Her warm and raspy vocal timbre sings more than just the story of the music—it penetrates your soul and messes with it every once in a while, so don’t get surprised when tears just start rolling down your eyes. She is that artist that you always want to watch and listen to live because of her enormous effect on you.

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6) JOHNOY DANAO

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How do you even begin to describe Johnoy Danao? Maybe the folks who have watched him in his sold-out gigs could explain better. He has been called the modern troubadour for his unexplainable ability to tear your heart up alive with his beauteous poetry and splendid vocals. He is an extraordinary acoustic artist whose music embodies absolute sentimentalism. His music is the touch of warmth that does not take away the pain, but soothes it very sensitively. I can still remember my initial reaction when I first heard his “Ikaw At Ako“. I was just pierced to the bones, wide-eyed, thunderstruck. It’s like it did something in me that is hard to explain. And that’s how you know you’re listening to music that is beyond just the music, but also speaks to the intangible soul.

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7) UP DHARMA DOWN

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Well now, I’ve not a lot of words to say about this group. They have proven quite enough, really, and earned their stripes over the years. They are an icon in the Filipino music realm and have carved their artistic niche very well even internationally. And their music is proven to be timeless and relevant. I believe their music is actually ahead of its time. That is why more and more people have learned to recognise and appreciate their multifaceted style, poetry and artistic language. The eclecticism and urbanity of their approach are just some of the things that make them unique. Who has listened “Tadhana” and not has his or her heart miss a beat?

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8) SARAH GERONIMO

12496461_10153207952346750_8854062340252040429_o“Sarah G” has already been hailed as an OPM royalty who has flexibly showcased outstanding versatility, and several aspects and attributes of her artistic identity in the past decade. Breaking free from being a traditional “biritera” (female belter), she has now emerged yet with a brand new element that redefines what it is to be a “pop star” in the Philippines today. Her style and sound have transformed drastically, and have diversified from mainly diva ballads into a more eclectic mix of R&B, soul, dance, alternative, even rap. She has ventured more on contemporary singing, highly enmeshed with dance, delivered with vehement attitude and intensity. All of these make her the hot-blooded, walking-talking, triple threat that she is today. She always has something new and interesting to offer so never miss a tune from her. Here is one of the hits that signify her transition era.

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9) MARK CARPIO

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Mark Carpio seems to be a new name in the OPM scene, but it will be hard to bypass the kind of musicality he offers. This guy is a balladeer with a strong vocal resonance, an advantageous pitch range, and substantial flexibility to shift between different registers and dynamics. His love songs are quite evocative and could probably be classified as “#hugot” songs (songs that draw out deep-seated emotions) because of the height and depth of emotions they portray. Some of these powerful, moving songs have now been used as soundtracks for film and TV such as “Hiling” and “Kay Tagal“. We expect to hear a lot more from Mark in the coming years.

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10) JONA

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You gotta admire this woman for her staunch pipes that can withstand any excruciating octave or any musical whirlwind. If you ever get lost around the C6-G6 area, you’ll find her there. Jonalyn Viray, now popular as Jona is one of the strongest and most dynamic Filipina vocalists in the whole of Asia who has enough flexibility to sing a wide array of styles–from pop ballads to billboard toppers. She is an ambitious vocalist, and knows how to accomplish all that she envisions, one by one. Her vocal range is sweeping; her higher register is cogent and compact. She is phenomenal. She is another example of a modern-day artist who knows how to innovate and redesign music, and proves to us that creativity always wins. In her recent solo concert, she has demonstrated that her set of pipes is indeed indefatigable and that she has earned and truly deserves her spot in the show business today because of her hard work, her excellence and consistency.

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11) EDWARD BENOSA

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This good looking dude knows how to capture the real essence of ballads—passion, vulnerability, romanticism. And surely, he is beyond his riveting looks. His voice carries a heavy deal of poignance in his hits like “‘Di Man Lang Nagpaalam” and “Why Did You Stay”. He lays his fragile soul bare with his powerful voice and unfeigned delivery. No wonder at the early stage of his career, this promising neophyte has won Best New Male Recording Artist in the prestigious Star Awards for Music of the Philippine Movie Press Club (PMPC). Definitely looking forward to more of his soul-stirring performances and thrilling vocal exhibitions.

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12) MOIRA DELA TORRE

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Moira is an artist to watch out for. She may be called a trendsetter for being one of the first few artists to introduce a singing style more prominent in Western contemporary scene today: a technique that includes singing with a twang, fluctuating dynamics, and consistent breathiness. Last time I checked, there isn’t a name or term for this vocal style yet. Some people call it the “indie” vocals because it is mostly used by indie artists—the likes of Regina Spektor, Norah Jones, and Nataly Dawn. More and more singers of all races attempt to sound like that these days, but they just sound ridiculous. (Seriously, just stop.)  Thankfully, we have one that sounds pretty “legit” and actually intoxicatingly mellifluous, and that is Moira. She has merged this sweet-toned singing style and the Filipino musical flavour, producing a very wholesome outcome.

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13) DARYL ONG

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Exceptional and edgy—these are the words I believe that best describe Daryl Ong. These are the qualities that made him fit in and belong to the new breed of Filipino singers. (Or should we call them revolutionists?) Daryl is an R&B powerhouse with a voice so slick and refined. He is not a typical R&B artist that casually copies modal runs from established icons. He demonstrates cleverness and precision in utilising melisma and playful melodic variations just in the right amount and blend, and only as needed in the new flavour of the song. This is what makes his song revivals powerful and compelling. He retools any music with command and authority. And he makes the Filipino audience fall in love and appreciate Filipino-bred R&B. Listen to his tasteful rendition of “Stay”, originally performed and written by my OPM hero, Carol Banawa.

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Sneak peek at #UNPLUGGED rehearsals

Can’t wait to show everyone what we’ve been preparing for the last two months! Filozart brings to you “#UNPLUGGED: Your Songs, Your Playlists, Your Stories” and it’s this Friday, 20th of November at Pabico Club 55. Doors will open at 6pm.

Join us in a night of acoustic jamming and some live d&m. You wouldn’t wanna miss this terrific night!

Rie Manaloto

R.

#SalongaDownUnder2015


All right.
 I know. I get it. It might be a little too late to be posting about this momentous event. The past couple of weeks have been really busy and demanding on my end. But I thought I’d do it anyway. No dramas.

So, Lea Salonga was in Sydney. (Now I’m thinking I should’ve ended that with an exclamation point). I find it hard to put into words how amazing this encounter was with the ineffable international Broadway star.

I mean, she’s world-renowned and all that. Everybody knows her, and only has the best things to say about her. But seriously, it feels like the right words have not been invented yet to adequately and justifiably describe her artistry and musicality. And I’m not exaggerating.

Hence, I can already tell that this entry will not look like my usual concert “reflections” (not reviews) I normally post on the Artiste.

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Basically, it is one of my biggest dream come true. Her singing has always had an enormous impact on me, which up to this day I still struggle to explain.

Her formidable presence, overpowering charisma, and divine vocal prowess just got me. She has knocked me dead in all her glory. If one had ever experienced “eargasm” (or if that were possible in this life and time), I’d say that it’s similar to what I went through during her concert a couple of Saturday’s ago at Sydney Town Hall.

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I won’t go into detail anymore. But in essence, the place was packed. She had a live band (of course) headed by Larry Yurman—this guy’s incredible. I should also commend his band for doing a marvellous job (The double bass is the blue frosting on the cake for me!). Lea dubbed them as his “most handsome” musical crew in the progression of her tour.

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Lea had a very rich and generous repertoire that includes her gravity-defying renditions of:
  • Broadway stunners (“I’d Give My Life For You” from Miss Saigon, “Wondering” from The Bridges of Madison County, “Still Hurting” from The Last Five Years, “For Good” from Wicked, “Back to Before” from RagtimeLes Miz hits, which are mentioned later in the blogpost)
  • Disney classics (“Reflection” from Mulan, “A Whole New World” from Aladdin)
  • Filipino hits (“Nais Ko” by Ryan Cayabyab, “Hahanapin Ko” by Jose Mari Chan)
  • Tasteful jazz tunes (they’re all mentioned later in the blogpost)
  • Historically significant piece, “Greatest Love Of All” by Whitney Houston
  • Riveting renditions of Bruno Mars smashers (“Grenade” and “Locked Out of Heaven”)

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To some degree, it was a jazz-infused night. Lea started with an old Broadway hit that had also been popularised by Nina Simone, “Feeling Good”,  followed by another jazz hit, “You and the Night and the Music”. Lea also did a Nat King Cole classic, “On the Street Where You Live” to start Act 2. My favourite of them all was “He Touched Me”, which I believe is a Barbra Streisand original. That one was just intoxicating.

Now, I am in awe of Lea’s ability to turn a typical jazz song into something extraspecial. Her musical theatre sound and stylistic expression (dynamics, articulation, etc) blend so well with the rudiments of the jazz ensemble, not to mention the proper dose of theatricality. Thus, a colourful and flavourful emulsion of styles and sounds.

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The highlights of the night was when she sang two of her Les Miz pieces (yes, she owns them), “On My Own” and “I Dreamed A Dream” by which she gained a thundering ovation from the audience. The characters that convey the two songs (Éponine and Fantine) were relived during that night. It was crazy.

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Went with my awesome friend, Gerielle. Photo by Darryl O'Brien

Went with my awesome friend, Gerielle. Photo by Darryl O’Brien

I did say I wouldn’t go into so much detail, but what the heck. It was hard to keep in line. But here’s a mini gallery of my shots. It sucks that camera flash was not allowed in the concert, and my camera takes better shots in that particular setting when the flash is activated. I tried my best to still get good ones.

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I’ll conclude by reposting my actual Facebook status on the night of the concert which I posted during the interlude:

Lea Salonga. I can’t even. I just. She’s a freaking. Monster. A beautiful. Monster.

R.

This May!

This May!

It is just staggering to realise that it’s only a few weeks ’til the concert. Plus, it’s mothers’ month. My siblings’ birthday month. Also, my assessment month. I can’t even begin to describe how packed it’s going to be. But … Continue reading

Two months away!

Two months away!

The Carol Banawa show is about two months away! Time is flying like a scorching arrow. And the concert team has started to gear up for the performances and the staging stuff as rehearsals will be starting in a few … Continue reading

Michael Christian Martinez: Filipino Figure Skater at the Olympics

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Well, looking like he’s having heaps of fun on the ice. Not to mention how much this photo shows great panache and talent beyond reproach. That body language expresses a sense of triumph, relentless confidence and excellent prowess . Michael is certainly making the Philippines proud. He is making history. Photo by Tatyana Zenkovich/EPA

Praying for our very own Michael Christian Martinez, the sole Filipino Olympian to join the Sochi Winter Olympics in Russia. This kid will nail this match. He is tremendously blessed. I declare a blizzard of victory and blessings over his life and career.

Read this article from Rappler, my favourite news network on the net.

EARLY PLUG: CAROL BANAWA’S SHOW IN SYDNEY THIS 2014!

EARLY PLUG: CAROL BANAWA’S SHOW IN SYDNEY THIS 2014!

Can I just say that 2014 is definitely my year? After the success of the charity project that took place only yesterday, and a play in-the-making that’s due later this year; not to mention it’s also my Master’s year in uni, … Continue reading